Music (MUS)
MUS-090 Preparation for Music Theory
2 credits, Summer
MUS-101 Music Fundamentals
3 credits, Fall/Winter/Spring
Introduction to fundamentals of reading and writing music. Designed for non-majors or majors needing substantial preparation for MUS-111.
MUS-102 Applied Music Fundamentals
3 credits, Fall
The first of a 3 course introduction to the fundamentals of music theory. Designed for MPT/MT or AS Transfer students who need substantial preparation for MUS-111 and non-majors.
MUS-103 Applied Music Fundamentals
3 credits, Winter
A continuation of an introduction to fundamentals of music theory. Designed for MPT/MT or AS Transfer students who need substantial preparation for MUS-111 and interested non-majors.
Prerequisites: MUS-102
MUS-104 Applied Music Fundamentals
3 credits, Spring
The final sequence of a 3 course introduction to fundamentals of music theory. Designed for MPT/MT or AS Transfer students who need substantial preparation for MUS-111 and interested non-majors.
Prerequisites: MUS-103
MUS-105 Music Appreciation
3 credits, Fall/Winter/Spring
For non-majors and music majors. Emphasis on engaging in the study of instrumental and vocal musical genres from the ancient period through the contemporary music of our time. Includes critical analysis, study of elements, forms, styles, composers, performers, cultural, and historical issues and events.
MUS-106 Audio Recording At Home
1 credits, Fall/Winter/Spring
An overview of the basic tools and techniques used in audio recording at home. Depending on participant needs, topics may include signal path, microphone applications, software, hardware, outboard gear, soldering techniques, tracking, mixing, and editing.
MUS-107 Introduction to Audio Recording I
3 credits, Fall/Winter/Spring/Summer
Introduction to the basic techniques and tools used in audio recording. Areas of study include signal path, microphone applications, software, hardware, outboard gear, tracking, mixing, and editing.
MUS-108 Introduction to Audio Recording II
3 credits, Fall/Winter/Spring
Exploration of techniques and tools used in audio recording. Analog, digital, and hard drive recording will be explored. Areas of study include multi-tracking, signal path, microphone applications, software, hardware, outboard gear, soldering techniques, tracking, mixing, and editing. Software/hardware includes ProTools, ADAT, Mackie, etc.
Prerequisites: MUS-107
MUS-109 Introduction to Audio Recording III
3 credits, Fall/Winter/Spring
Exploration of digital recording/editing software and production of CD project. Advanced exploration of techniques and tools used in audio recording. Areas of study include signal path, microphone applications, software, hardware, outboard gear, tracking, mixing, and editing. Analog, digital, and hard drive recording will be explored. Software/hardware includes ProTools, ADAT, Mackie, etc.
Prerequisites: MUS-108
MUS-111 Music Theory I
3 credits, Fall
For non-majors and music majors. Presents an introduction to the diatonic and chromatic structure of tonal music from the common practice period through written exercises, listening, and analysis. This is the first term of a three-term sequence, which includes concepts of pitch and rhythm, intervals, keys, scales, triads, dominant seventh chord, and standard cadences. Provides a thorough groundwork in the melodic, harmonic, and rhythmic elements of music.
MUS-111L Music Notation Software I
1 credits, Fall
Introduces students to Finale (music notation software) on Macintosh computers.
MUS-112 Music Theory I
3 credits, Winter
For non-majors and music majors. Presents functional harmony through written exercises, listening, and analysis. This is the second term of a three-term sequence, which includes voice leading, nonharmonic tones, three-voice and four-voice chorale writing, figured bass, and small melodic structures. Provides a thorough groundwork in the melodic, harmonic, and rhythmic elements of music.
MUS-112L Music Notation Software I
1 credits, Winter
Continues an introduction to Finale (music notation software) on Macintosh computers.
MUS-113 Music Theory I
3 credits, Spring
For non-majors and music majors. Presents the diatonic and chromatic structure of tonal music in theory from the common practice period through written exercises, compositions, listening, and analysis. This is the third term of a three-term sequence, which includes chord progressions, use of triad inversions, seventh chords, secondary harmony, tonicization, and modulation to closely related keys.
MUS-113L Music Notation Software I
1 credits, Spring
Continues an introduction to Finale (music notation software) on Macintosh computers.
MUS-114 Aural Skills I
2 credits, Fall
First course in a year-long sequence. Diatonic sight singing in major keys using solfège syllables and moveable 'do'. Melodic dictation and aural recognition of intervals and triads.
Corequisites: MUS-111
MUS-115 Aural Skills I
2 credits, Winter
Second of three courses in a year-long sequence. Diatonic sight singing in major keys using solfège syllables and moveable 'do'. Melodic dictation and aural recognition of intervals, triads, and 7th chords.
MUS-116 Aural Skills I
2 credits, Spring
Third of three courses in a year-long sequence. Diatonic sight singing in major keys using solfège syllables and moveable 'do'. Melodic dictation and aural recognition of intervals, triads, and 7th chords.
MUS-127 Keyboard Skills I
2 credits, Fall
Develops basic keyboard skills required for study of tonal harmony and various musical activities such as vocal and instrumental rehearsals, music education and composition.
MUS-128 Keyboard Skills I
2 credits, Winter
Develops basic keyboard skills required for study of tonal harmony and various musical activities such as vocal and instrumental rehearsals, music education and composition.
MUS-129 Keyboard Skills I
2 credits, Spring
Develops basic keyboard skills required for study of tonal harmony and various musical activities such as vocal and instrumental rehearsals, music education and composition.
MUS-131 Group Piano: Piano for Pleasure
1 credits, Fall
First of three courses in a year-long sequence. Beginning classroom piano instruction for non-music majors. Includes reading, theory, technical exercises, and the opportunity to share your music with others. Beginning to intermediate level.
MUS-132 Group Piano: Piano for Pleasure
1 credits, Winter
Second of three courses in a year-long sequence. Beginning classroom piano instruction for non-music majors. Includes reading, theory, technical exercises, and the opportunity to share your music with others. Beginning to intermediate level.
MUS-133 Group Piano: Piano for Pleasure
1 credits, Spring
Third of three courses in a year-long sequence. Beginning classroom piano instruction for non-music majors. Includes reading, theory, technical exercises, and the opportunity to share your music with others. Beginning to intermediate level.
MUS-134 Group Voice: Anyone Can Sing
1 credits, Fall
Basic vocal techniques for the solo and ensemble singer. For music and non-music majors, voice and music education majors, and/or students who received a low rating on MUP-174 audition.
MUS-135 Group Voice: Anyone Can Sing
1 credits, Winter
Vocal techniques for the solo and ensemble singer. For music and non-music majors, voice and music education majors, and/or students who received a low rating on MUP-174 audition.
MUS-136 Group Voice: Anyone Can Sing
1 credits, Spring
Vocal techniques for the solo and ensemble singer. For music and non-music majors, voice and music education majors, and/or students who received a low rating on MUP-174 audition.
MUS-137 Group Guitar I
1 credits, Fall/Winter/Spring
For beginning to intermediate players. Covers finger picking, lead guitar, rock and popular styles, music reading, and music theory. Students provide own instrument.
MUS-138 Group Guitar II
1 credits, Winter/Spring
For intermediate to advanced players. Covers finger picking, lead guitar, rock and popular styles, music reading, and music theory. Students provide their own instrument.
Prerequisites: MUS-137
MUS-140 Careers in Music
3 credits, Winter
An overview of the music industry career opportunities. Studies include recording studio management/engineering, music merchandising, promotion, music contracting, agent/personal manager, live performing, teaching, technical support, record business, video and film production/editing, retailing, and instrument repair.
MUS-141 Introduction to the Music Business
3 credits, Fall
Explores business basics, songwriting, demos, agents, managers, copyrights, gig and concert promotion, publishing, licensing, and music business structures.
MUS-142 Introduction to Electronic Music I: MIDI
3 credits, Fall/Winter/Spring
Introduction to synthesis, MIDI sequencing, basic musical elements, and the basics of production. Learn how to make beats, songs, etc. Uses common production software/hardware.
MUS-143 Introduction to Electronic Music II: Sequencing, Audio Looping, Sound EFX
3 credits, Fall/Winter/Spring
An introduction to digital audio in the MIDI environment. This course continues MIDI sequencing, and integrates audio into the MIDI environment with audio looping, and spotting sound effects. Uses common production software/hardware.
Prerequisites: MUS-142
MUS-144 Introduction to Electronic Music III: Digital Audio
3 credits, Fall/Winter/Spring
Exploration of digital music recording and editing, synthesis, sampling, and sequencing. Presents CD/audio file production techniques integrating digital audio with the MIDI sequence. Uses Pro Tools, and other common production software/hardware.
Prerequisites: MUS-143
MUS-145 Location Audio, Livestreaming, and Advanced Audio Editing Techniques
3 credits, Spring
MUS-147 Music, Sound & Moviemaking
1 credits, Fall/Winter/Spring
Presents the basic components of designing, shooting, recording audio, and post production of movies as well as the history and theory that has led to contemporary film production.
MUS-148 Live Sound Engineering
3 credits, Fall/Spring
Introduction to the basic techniques and tools used in live sound engineering and mixing. Areas of study include set up, signal path, microphone applications, hardware, and outboard gear.
MUS-150 Location, Live, and Dialogue Sound Recording
1 credits, Spring
Through hands-on and practical situational experience, students will be introduced to recording audio in a non-traditional studio environment. Concepts will include live concert documentation, field/location recording, and dialogue recording.
Prerequisites: MUS-107
MUS-151 Video and Audio for Livestream
1 credits, Spring
Utilizing Open Broadcast Software and professional audio equipment, students will learn to use and manipulate video and audio for live internet broadcasts.
MUS-152 Advanced Audio Editing Techniques
1 credits, Spring
MUS-160 Songwriting I
2 credits, Winter
Studies the techniques of a working songwriter, including use of form, lyrics, harmonic progressions and symbolism in the creative aspect of songwriting. Solo writing as well as the concept of collaboration are introduced. Participants will work individually and/or in small groups to record original songs. May be repeated for up to 4 credits.
Required: Working proficiency at playing an instrument such as piano, guitar, voice, or equivalent. Computer generated music is also acceptable
MUS-161 Songwriting II
2 credits, Spring
This course is a continuation of MUS-160. Further explores the elements of songwriting, focuses on creating a digital composition portfolio and public performance.
MUS-170 Introduction to Scoring Music for Media
2 credits, Spring
Introduction to the analysis, writing, and production of basic film, video, and/or video game music scores and spotting music cues.
MUS-171 Sound Design
2 credits, Winter
This course introduces students to the fundamentals of sound design through a series of practical, hands-on activities. Students will gain an understanding of the skills, tools, and concepts used in the creation and synchronization of sound effects in modern visual media. Through a thorough introduction to sound recording, editing and mixing, audio manipulation, and electronic synthesis, this course will provide students with the knowledge and skills to create unique sound effects using industry standard software like Pro Tools, Propellerhead's Reason, Ableton Live, Native Instrument's Reaktor, and other sound design-specific software.
MUS-188 Performance Attendance
0 credits, Fall/Winter/Spring
The student is expected to attend a minimum of five live performances approved by the Music Department for each term registered.
MUS-189 Performance & Repertoire
1 credits, Fall/Winter/Spring
A performance forum required for all students studying a classical instrument or voice at the MUP-171 to MUP-191 and MUP-271 to MUP-291 levels. Through weekly performance and critique, each student will develop proper stage manners and prepare for the end of term performance jury, and will also study the work to be performed through academic research. Students will have an opportunity to work with a professional accompanist. May be repeated for up to 6 credits. Required: Student Petition.
MUS-205 Music Literature: History of Jazz
4 credits, Not Offered Every Term
For non-majors and music majors. Emphasis on engaging in the study of Jazz music and surrounding cultural/historical issues. Includes critical analysis, study of elements, forms, styles, composers, performers, cultural, and historical issues and events.
MUS-206 Music Literature: History of Rock
4 credits, Fall/Winter/Spring
For non-majors and music majors. Emphasis on engaging in the study of Rock music and surrounding cultural/historical issues. Includes critical analysis, study of elements, forms, styles, composers, performers, cultural, and historical issues and events. An examination of Rock music as a contemporary social medium.
MUS-207 Advanced Audio Recording & Mixing I: Recording Techniques
3 credits, Fall
This course will address advanced recording techniques and topics with a focus on working with live talent in the recording studio. Topics covered include vocal production, drum recording, instrument production, ensemble dynamics, multi microphone and stereo microphone techniques, utilizing outboard processors, increased fluency in Pro Tools etc. Students will also be participating in client outreach, securing talent for the class recording sessions.
Prerequisites: MUS-109
MUS-208 Advanced Audio Recording & Mixing II: Editing & Mix Preparation
3 credits, Winter
This course will address advanced editing and mix preparation techniques. Topics covered include vocal compilation, vocal tuning, drum editing, audio denoising, complex signal routing schemes, clip gain, vocal de-essing, vocal splitting etc. Tools explored in the class include Beat Detective, Melodyne, VocAlign, Auto-Align, iZotope, and Antares Auto Tune. Students will be introduced to the concept of custom mix templates, Pro Tools session data, and creating track presets.
MUS-209 Advanced Audio Recording & Mixing III: Mixing & Mastering Capstone
3 credits, Spring
This course will address applications of modern Mixing and Mastering Techniques. Topics include signal processing such as EQ, compression, modulation, time-based effects, and limiting. Additional topics include parallel processing, effective gain staging, automation, and creative problem-solving. These topics will be reinforced by the introduction to the concepts of how to listen to mixes and masters, translation to different music systems and environments, expectations and professional loudness standards of the deliverables, mastering in the mix, mastering with AI, and mastering with a human engineer. The student will compile a capstone portfolio of productions that they have developed throughout MUS-207, MUS-208, and MUS-209.
MUS-211 Music Theory II
3 credits, Fall
For non-majors and music majors. Continuation of the study of functional harmony through written exercises, compositions, listening, and analysis and introduction to polyphony. This is the first term of a three-term sequence, which includes late Renaissance polyphony, baroque counterpoint, and chromatic harmony.
MUS-212 Music Theory II
3 credits, Winter
For non-majors and music majors. Continuation of the study of harmony and period styles through written exercises, compositions, listening, and analysis. This is the second term of a three-term sequence, which includes the classical style, extended, and chromatic harmony.
MUS-213 Music Theory II
3 credits, Spring
For non-majors and music majors. Continuation of the study of harmony, period styles after the 18th century through written exercises, compositions, listening, and analysis. This is the third term of a three-term sequence, which includes the 19th and 20th century idioms such as Romanticism, impressionism, post-Romanticism, and serialism.
MUS-214 Keyboard Skills II
2 credits, Fall
Advanced keyboard applications of the materials of diatonic and chromatic music.
MUS-215 Keyboard Skills II
2 credits, Winter
Second course in the sequential second year of advanced keyboard applications covering the materials of diatonic and chromatic music.
MUS-216 Keyboard Skills II
2 credits, Spring
Third course in the sequential second year of advanced keyboard applications covering the materials of diatonic and chromatic music.
MUS-218 MPT Seminar I
1 credits, Fall
First of a three-part series. For second year MPT students only. Seminar will cover writing, arranging, production, performance and music theory through experiential learning. Students will produce, write and arrange for each CWE/Songwriters concert and will produce the Annual MPT festival each spring.
MUS-219 MPT Seminar II
1 credits, Winter
Second in a three-part series. For second year MPT students only. Seminar will cover writing, arranging, production, performance and music theory through experiential learning. Students will produce, write and arrange for each CME/Songwriters concert and will produce the Annual MPT festival each spring.
Prerequisites: MUS-218
MUS-220 MPT Seminar III
1 credits, Spring
Third in a three-part series. For second year MPT students only. Seminar will cover writing, arranging, production, performance and music theory through experiential learning. Students will produce, write and arrange for each CWE/Songwriters concert and will produce the Annual MPT festival each spring.
Prerequisites: MUS-219
MUS-224 Aural Skills II
2 credits, Fall
First of three courses in a year-long sequence. Diatonic and chromatic sight singing with solfège syllables and moveable 'do'. Four-part dictation including all chromatic devices studied in Theory II.
MUS-225 Aural Skills II
2 credits, Winter
Second of three courses in a year-long sequence. Diatonic and chromatic sight singing with solfège syllables and moveable 'do'. Four-part dictation including all chromatic devices studied in Theory II.
MUS-226 Aural Skills II
2 credits, Spring
Third of three courses in a year-long sequence. Diatonic and chromatic sight singing with solfège syllables and moveable 'do'. Four-part dictation including all chromatic devices studied in Theory II.
MUS-242 Advanced Electronic Music I: Synthesis and Instrument Design
3 credits, Fall
This course will feature an advanced survey of the major forms of synthesis: Additive, Subtractive, Sample Based, Wavetable, FM, etc. and exploring their corresponding instruments in Ableton Live. Students will focus on creating instruments, patches, and packs in Ableton Live. Exploration of Drum Racks, Instrument Racks, and Audio Effects Racks for sound design and implementation in electronic music. Max for Live will be introduced and integrated.
Prerequisites: MUS-144
MUS-243 Advanced Electronic Music II: Electronic Music Ensemble
3 credits, Winter
This course will utilize Ableton Live and introduce students to using the DAW (Digital Audio Workstation) in a performance environment. Topics covered include Session View, Launching Clips, Utilizing Grooves, Programming controllers via MIDI, Synchronizing Live with Link, Tempo Follower, and MIDI. Students will prepare compositions to perform live.
Prerequisites: MUS-144
MUS-244 Advanced Electronic Music III: Production Capstone
3 credits, Spring
Students will assemble a portfolio emphasizing their unique production techniques, abilities, and aesthetics. Utilizing experience and knowledge gained from the previous class sections, students will maintain ongoing music projects that will be reviewed and revised. There will be emphasis on aesthetic topics referencing industry trends. The class focus will be on analysis, critical listening, peer review, mixing and mastering, and production techniques.
Prerequisites: MUS-144
MUS-247 Sound for Media
3 credits, Fall/Spring
Introduction to sound as related to film making, animation, and video games. Students will have the opportunity to create and assemble sound for media into a finished product. Explores the basic components of commercial film/video, animation, and game production as they relate to sound.
Recommended: Experience using a DAW (Digital Audio Workstation) or video editing software
MUS-248 Live Sound Engineering II
3 credits, Not Offered Every Term
Students will be introduced to advanced live sound principles including feedback rejection, graphic and parametric equalization of stage monitors and FOH, expanded setup, industry trends and vocabulary, advanced mic techniques, incorporating subwoofers, and digital console workflow. Attendance/Tours of local music venues and systems will be explored.
Prerequisites: MUS-148